Green screen

Film makers do it regularly but this week everyone’s been doing it, thanks to Matthew Highton sharing his pre-greened clip of Boris (Johnson, who else?) looking lost at a meeting. I’ve never used green screen and I had no idea where to start but a quick search of YouTube, relating in particular to Filmora Pro which is the video editing app I use, I found an idiot’s guide which talked me through the process. This not only made it possible to put together the video I had in mind but also made clear that I’m no nearer knowing how to … Continue reading Green screen

On a mission!

Not sure if I’ll succeed but I’m aiming to have everything I show at the forthcoming Steyning Arts art trail fully Artivive-enabled. That means making videos for each of the pieces of work – pertinent ones that add something to the original – setting the videos up alongside their target image on the Artivive bridge, then making sure they scan via the app. After that, I can make cards or posters – table mats if I fancy it – and the app will bring up the video. Well, as long as there aren’t blobs of tomato ketchup in the way! … Continue reading On a mission!

Inventory of Dreams: project 4

This is a reading task centred on Marina Warner’s 2001 book, Fantastic Metamorphosis, other worlds: ways of telling the self. I don’t really understand the title – what does ‘telling the self’ mean? – but the book uses Bosch’s Garden of Delights as its focus for discussion of fantasy, self, and the kinds of metamorphoses found in fairy tales. Perhaps the telling is related to psychological self-talk. I struggled with this, having never read Ovid or Plato, or in fact, any of the other texts to which Warner refers. There are tracts of Latin which I doubt my 1960s school … Continue reading Inventory of Dreams: project 4

Project 4 research task

This begins with researching Ian Andrews using the links in the course materials and then moving beyond that via a set of key words derived from that research to find other artists using ‘archival or appropriated material, stories, dreams, symbolism, or other ways of categorising/ordering knowledge and ideas and ideas which are partial or have degrees of unreliability in their systems’. As none of the links are active and I have come across Andrews before, I have used YouTube videos as a reminder. I am not going to spend much time on Andrews because unfortunately his work reminds me of … Continue reading Project 4 research task

Mystery: option 4, project 3, second task

The second task is to choose an option for the next exercise, 4.2, and then research the four artists associated with that. My preferred option here is narrative (b) and so the artists to look at comprise first, Paula Rego (1935-) whose work I was first introduced to in Drawing Skills 1 way back in 2018/19. Her pastel drawings/painting of dancers contrasting almost comedically with the luminescent delicacy of Degas’ ‘petit rats’. https://www.tate.org.uk/art/artists/paula-rego-1823 I’ve written a lot, or possibly the same thing several times, about Rego. The links are here and largely for my own record as I can see … Continue reading Mystery: option 4, project 3, second task

Mystery: project 3 ‘Short History of the Shadow’

The first task is to read the eBook, Short History of the Shadow (1997) by Victor I Stoichita, and make notes or perhaps drawings to record any thoughts. I was able to access a PDF via Ex Libris. We seem to be talking here about the speculations of a man who died in AD 79 (Pliny) and the later constructions placed on this by Plato and Hegel. Pliny said that painting began when ‘men’ drew around their shadow, which I suspect is not substantiated by later research on cave drawings where it seems all but demonstrated that people first blew … Continue reading Mystery: project 3 ‘Short History of the Shadow’