I’ve unpinned this now but it might not be the end. It’s gone to sit on the studio wall while I let it stew and maybe give it some competition. The new piece will be bigger – four A3 sheets pasted to an A1 sheet instead of two on an A2. That’ll show it. As you can see, there’s some bleaching by the camera (an iPhone 8+) in the close ups when they’re on black so the bottom picture gives a better idea of the whole. The bricks are troubling though – too distractingly flat and prosaic – so they … Continue reading From fire screen to fantasy citadel
The brief is to produce a still life or interior of at least A3 size and demonstrating a number of capability criteria. I won’t go into those because, here at least, they’re not very interesting. More so might be the process, from spotting the target to getting to grips with the piece itself. It starts with a photo. I’ve had this fire screen for years but, unlike a lot of familiar household items, I still see it because it shines and burnishes itself in almost any light. There were sketches to get a feel for composition – did I want … Continue reading Iterations in the life of a piece of art
This is sketchbook work towards a larger degree piece. I’ve been looking at Gustav Klimt and his mosaic style paintings (and discovering I’d never get that gold leaf look because he used actual gold leaf!). This is a fire screen in my house. It has candle holders fixed in rows to the back so the design is intended to flicker gentle light through to the observer, rather than to act as guard against a roaring fire. They’re both made on a layer of white gesso applied to black sugar paper; one with inks, the other watercolour pencils. Each has been … Continue reading What’s happening on the art front?
This is a piece of course work. An exercise concerning materials, although I’m not completely sure whether that refers to materials in view or in use. I’ve covered both bases – wood, fabric, glass in the frame; oil crayons, charcoal, inks, and a variety of implements to scrape and scratch at the layers for texture, a bit like sgraffito. The base is cartridge paper prepared with a layer of gesso which I’ve textured to reflect the materials in view, and the colours come from layering the various media, blending, scratching, and generally shoving the media about. So, am I done? … Continue reading Work in progress or am I done here?
Opening tonight, The Basement93 in Steyning will be launching its Black and White exhibition and this big old muffin will have a place on a shelf in his guise as a print and a postcard. Crack on, MiLaddo! Continue reading The Basement exhibition
The old left brain/right brain chestnut keeps on popping up, especially in reference to creativity. Dead but it won’t lie down. It comes from some very old studies on people with severe epilepsy whose brain hemispheres were surgically separated to prevent seizures swamping the whole cortex, plus the observation that motor functions are generally right side dominant (governed by the left motor cortex), and that language tends to be located in the left temporal lobe. Early studies seemed to support a view that the left brain is logical, ordered, and language related while the right is more spatial and image-led. … Continue reading Left brain, right brain, or something else?
… what are ya gonna do? Luvvit, that’s what! This is, let’s call her Muriel, whose first job was to illustrate a story called The Bridge in Not Being First Fish, and who today has joined several cats and a sheep at The Basement93 in Steyning. Here’s the rest of the gang. You can have a flick through the book and if you like what you see (read), you can nip across the road to get a copy at the Steyning Book Shop, otherwise you can click your way over to that there Amazon. From February 1st, the gallery will be … Continue reading There’s a cow in the basement …