This is bright yellow acrylic neon splashed over an acrylic primer and allowed to drift. Things moved fast. I was aiming for an impressionistic style and again used my fingers to make most of the marks, leaving the lines to … Continue reading Beeding Bridge
15th February 2026. Water soluble oils on 40x30cm canvas. There’s some extemporising on the reference photo. For instance, close up, the midline of green, which is swept to the left like a speeding car caught on camera, has the horizon … Continue reading Wetlands
Warflowers 2026. Water-soluble oils on 76x101cm canvas. This is a re-used canvas, the dark green landscape area at the bottom being part of the original, which was probably in acrylics. Context. There is conflagration in the Middle East, Israel having … Continue reading Warflowers
The local river can be a weighty beast. After moving sedately for months, it transforms into a juggernaut and, aided and abetted by the moon, hurtles inland and spreads itself over parts of the bank it usually leaves alone. Then … Continue reading Flooding River
Water-soluble oils on re-used A1 card. © Suzanne Conboy-Hill 2026 Continue reading Transience
Literally. Frog Fall, 68 pages of paintings and prose printed in A5 size, is dinky enough to carry in a large pocket or a small bag. Seen here in its spawning ground, this is the link to get yourself a copy. It’s printed on demand by Mixam, price £13.00 plus P&P. © Suzanne Conboy-Hill 2026 Continue reading Frog Fall has dropped
This is the last month of the time-out trimester and I have an ineligible cat painting on the go. I’m using up non-preferred canvases which, inevitably, is leading to some useful changes of style and approach. But first, a pixelation painting just in case focus and resolution become problematic, I’ve got in first. Pixelate 2026.Water-soluble oils on 30.5×25.5cm canvas. Not eligible. Cat scratch 2026. Water-soluble oils on 20×12.5cm canvas. © Suzanne Conboy-Hill 2026 Continue reading Collecting a collection #2
I’m currently on a kind of sabbatical, officially a deferment, but the word brings me out in a rash of Gilbert and Sullivan for some reason, so I steer round it. This runs from January 1st to March 31st,* and none of the work I do in this period can be submitted for assessment because, having argued for a break, it would be unfair to allow me to use anything I produce in this time as coursework since no one else is getting those extra three months. This doesn’t mean stopping, though, and how easy would that be in any … Continue reading Collecting a Collection #1
Water soluble oils on 40x30cm canvas. This started life as a relatively tame field scene; then along came the sky, the sea, and the large object in the sky. The camera picks it out, the eye doesn’t – not at … Continue reading “Moonrise”
While the actual book, Frog Fall, makes its way through the publication system, here’s Punk Fall featuring a drenched version of the original. Materials? One proof copy, a bucket of water, and a raid on PowerDirector’s effects cupboard. Audio is … Continue reading Punk Fall
Strayfish Arts 