Mystery: option 4, project 3, second task

The second task is to choose an option for the next exercise, 4.2, and then research the four artists associated with that. My preferred option here is narrative (b) and so the artists to look at comprise first, Paula Rego (1935-) whose work I was first introduced to in Drawing Skills 1 way back in 2018/19. Her pastel drawings/painting of dancers contrasting almost comedically with the luminescent delicacy of Degas’ ‘petit rats’. https://www.tate.org.uk/art/artists/paula-rego-1823 I’ve written a lot, or possibly the same thing several times, about Rego. The links are here and largely for my own record as I can see … Continue reading Mystery: option 4, project 3, second task

Mystery: project 3 ‘Short History of the Shadow’

The first task is to read the eBook, Short History of the Shadow (1997) by Victor I Stoichita, and make notes or perhaps drawings to record any thoughts. I was able to access a PDF via Ex Libris. We seem to be talking here about the speculations of a man who died in AD 79 (Pliny) and the later constructions placed on this by Plato and Hegel. Pliny said that painting began when ‘men’ drew around their shadow, which I suspect is not substantiated by later research on cave drawings where it seems all but demonstrated that people first blew … Continue reading Mystery: project 3 ‘Short History of the Shadow’

Part 4, project 2, research task

To quote the course materials, this exercise is to “gain experience in working with very different source material and gain confidence in working with e-journals” and to gain a deeper understanding of “how artists ‘know’ their subject and how they use that knowledge.” The two references are: Donachie, Kaye. 2016. Behind her eyelids she sees something […]. J Contemporary Painting, 2, 1, pp11-20. Intellect. Morley, Simon. 2016. A ‘shimmering thing at the edge of analysis’: figure/ground and the paintings of Agnes Martin. J Contemporary Painting. 2, 1, pp 39-56. Intellect. The links in the course materials are not active but … Continue reading Part 4, project 2, research task

Option 4: unknowing, research task, & essay

The first task in this option is one of close reading, a technique that requires conscious attention to a tract of text in its context, the linguistics of it, the rhythms, and the meanings. We have for examination Pippa Gatty’s artist statement from her site in August 2020 (provided in the course materials) and we’re looking for words indicating liminality (edges or borders), and unknowing. For me, this was an exercise in identifying probes – where would I want to ask the meaning of something, for instance? – along with words that suggest containments or areas of leakage through a … Continue reading Option 4: unknowing, research task, & essay

Option 1, exercise 1.3 research point

Meret Oppenheim 1913-1985 https://www.huffingtonpost.co.uk/entry/meret-oppenheim_n_5031039 Meret Oppenheim: Mon Exposition / Retrospective at Kunstmuseum Bern This is a retrospective with no dialogue or captions but that clearly shows Oppenheim’s astonishing range of styles. Some of the paintings/sculptures/assemblages crop up in discussions or … Continue reading Option 1, exercise 1.3 research point