The course notes say to look at how these artists arrange their series’ of portraits before making an arrangement of my own monoprint portraits. Yuko Nasu https://www.saatchiart.com/yukonasu. I really don’t know what to make of these pieces of work. There … Continue reading Research 2 – monotype portraits
This is from my OCA blog, Understanding Painting Media: “Periodically, when I get stuck or frustrated at how things are going, I make a copy of a painting that’s caught my eye. It could be the colours, the style, the … Continue reading Painting for practice
Periodically, when I get stuck or frustrated at how things are going, I make a copy of a painting that’s caught my eye. It could be the colours, the style, the composition, anything really; and I have a go at … Continue reading Diversion – copy for practice
I made a painting based on a piece of cartridge left outside for wildlife to make their own marks on. After recording it for this module, I pinned it to the door of the garden shed and took photographs of it once a month to document any changes. It was remarkably robust for the whole summer but then suffered ignominy during an October storm. After a night of wind, rain, and wild goings on outdoors, it ended up back on the ground again. Continue reading Made by Wildlife – full circle
So what’s this about? To some extent, it’s a follow-on from Brian Eno’s discussions on the matter of art and how to classify and value it. His thesis is that, so long as there is no taxonomic model for positioning different kinds of creative art (the things we do that we don’t need to do – like hair styles), value will always be dictated by a few people at the top who have established a reputation and a kind of provenance by being in the right place with the right people at the right times. This can only lead to … Continue reading “Would I say this was good if I didn’t know it was a Pollock?”
This is from my other blog and comprises a critique of Eno’s lecture to the AA School of Architecture while acknowledging the initial questions Eno asks and his stated premise. Brian Eno’s lecture to the AA School of Architecture takes on the problem of how to talk about, to write about, to classify and describe art. Or that was the plan. The lecture starts well with the idea that the arts – all of them – are everything you don’t have to do as illustrated by screwdrivers. The business end is a fixed design, functional and with no room for … Continue reading Brian Eno on art, value, and culture
Brian Eno’s lecture to the AA School of Architecture takes on the problem of how to talk about, to write about, to classify and describe art. Or that was the plan. The lecture starts well with the idea that the arts – all of them – are everything you don’t have to do as illustrated by screwdrivers. The business end is a fixed design, functional and with no room for manoeuvre, but the handle – that can be plain, striped, blue, red, yellow, pink, fat, thin, shaped, pared down. The business end is what you have to do, the handle … Continue reading “Art is everything you don’t have to do” – Brian Eno
Strayfish Arts 