Part 1, Project 3, exercise 1:2 – Mental mapping

I think this refers to what was originally about subjective physical mapping, mental representations of a geographical area. [cf this definition from the APA dictionary of psychology mental map – APA Dictionary of Psychology]. Psychologically, this might include mapping one’s perceived space in a given environment to understand something about how visible a person felt, or how much they felt they owned it. Latterly, it’s been much more about abstract conceptual material, ways of plotting ideas in non-hierarchical space. Tony Buzan, graduate psychologist and one of Mensa’s golden boys, was the originator and key proponent of this version. I met … Continue reading Part 1, Project 3, exercise 1:2 – Mental mapping

Part 1, Project 1, exercise 1 – Gesture: the limits of the body’s reach

Part 1 of this module is titled Painting and/as performance which, from the introduction quoting Harold Rosenberg’s (1952) description of abstract expressionism as ‘not a picture but an event’, seems to be positioning physicality as a critical component of any art work such that it merits its own listing in the credits. Clearly, and especially pre-digital, the physical actions of the maker of the work will heavily influence the eventual product. At a very simplistic level, I am left handed and could not replicate the gestural work of righthanders, so that even my copies (for practice) of well known pieces … Continue reading Part 1, Project 1, exercise 1 – Gesture: the limits of the body’s reach