Assignment 1 self evaluation

I chose this painting from the two I’d done because I like the colours, the brush marks, and the fact I’d managed to get the shape of the jug right for once. I’m also drawing a contrast with the seafront scene in that the jug painting, ironically, seems to have more movement in it despite being a still life. I have scoured the folder for a structure for this component and failed so I’m transplanting the one I’ve used in the Drawing module. Demonstration of technical and visual skills – materials, techniques, observational skills, visual awareness, design and compositional skills. … Continue reading Assignment 1 self evaluation

Assignment 3 self evaluation

  Demonstration of technical and visual skills – materials, techniques, observational skills, visual awareness, design and compositional skills. I thought I could handle perspective but it’s proved unexpectedly difficult – I can see when it’s wrong but correcting it is quite problematic, especially when I bring it into conscious focus. I concentrated on the flyover/underpass images because these were a) the most linear of perspectives but b) because errors couldn’t be fudged, and I developed a technique – drawing out the lines on a photograph – to help me establish the angles. This seems to have worked for me and … Continue reading Assignment 3 self evaluation

Assignment 1

After a bit of a hiatus due to finding there was more to do on the Drawing1 course than I’d realised, I’m making a start on this. I have a jug that defeats me every time I draw it and an onion that doesn’t – not so much anyway – and the colours are marvellous. Elsewhere, I’ve been up to the ears in brutalist concrete and grungy graffiti so going smooth and shiny will be a challenge. Here’s the image (my own) that I’m working from: I love the colours and the reflection, and the tiny hint of a demarcation … Continue reading Assignment 1

Assignment 3 – an outdoor scene

The brief includes straight lines, elements of perspective, and some natural objects. I’ve chosen the scene under the Shoreham flyover – an area above which roads and slip roads curve and swing, their huge struts with their feet in land used sometimes by keepers of horses but more often left to its own devices. There are other bridges in the distance, and tall shrubs between them and the concrete posts. It reminds me of a scene from Metropolis, the 1927 sci fi film directed by Fritz Lang. My sketches are quite stark, reflecting what I now understand to be brutalist … Continue reading Assignment 3 – an outdoor scene

Assignment 2, response to feedback

Years ago, when the words ‘reflective’ and ‘practice’ began to enter the vocabulary of our clinical trainees, those of us longer in the professional tooth thought it a little fanciful. After all, reflecting was what mirrors do and mirrors are passive so what was the point? As time passed, it became evident that it referred to the process we understood as consideration – a thoughtful balancing and weighing up of events retrospectively in order to learn from them. Latterly though, and seeing it here in this different context, I’d be inclined to expand that understanding to include something more transactional … Continue reading Assignment 2, response to feedback

Assignment 2 self evaluation

Demonstration of technical and visual skills – materials, techniques, observational skills, visual awareness, design and compositional skills. This is hard to judge in terms of skills. I’ve had conversations about realism versus expression and the vague feeling that preferring the latter is some sort of cop out. At one level I know this is not true – I believe I can draw and I have pre-OCA drawings I return to occasionally to remind myself – but I felt the need to do a couple more just for the record. Not photo-realistic, still more interpretive, but definitely of something recognisable.   … Continue reading Assignment 2 self evaluation

Part 2, Assignment 2

 I am thinking of going for an interior again after what felt like quite a turning point with the previous exercise. This time more horizontals and with this ornamental firescreen that always reminds me of a Klimt painting. I took a series of photos to focus the letterbox idea in my head and pasted them onto a landscape orientation A4 sheet to use for reference and palette. Google sometimes stitches these together to form a panorama and I’m hopeful that it will, given time. Then I set about making a composition, moving some items around and foregrounding a couple of them, whereupon … Continue reading Part 2, Assignment 2

Assignment 1 submission critique

It’s hard to know what influences I brought to bear on this work; partly because whatever they are, they go back a long way and have probably become barely conscious and fleeting, likely unnamed, and definitely inconsistent in style. I hit adolescence/young adulthood in the 1960s, a tumultuous time for politics, social behaviour, art and music. I was gripped by Quant[1] – those clean efficient lines, and Aubrey Beardsley[2] – full of tiny detail, dots and curls, and Dali who made the ordinary fascinatingly unsettling. Then there was Millais’ Ophelia[3] – again the detail but also the light, the colour, … Continue reading Assignment 1 submission critique