Author: Suzanne Conboy-Hill

UncategorizedLeave a comment

Plagiarism, copyright, and fair use

Suzanne Conboy-Hill

I’ve been struggling with this for two reasons. As a writer, and prior to that as a clinician and researcher, I was accustomed to a quite clear structure with regard to the use of other people’s words or ideas. Quotes are not often used in scientific papers but in literature, they are and they have to be minimal and clearly referenced. Similarly any supporting or contesting ideas, papers, theoretical references. That feels clear to me. Latterly, in my early (re)-exposure to the art world via local groups, I came across the practice of replication in physical media by copying of … Continue reading Plagiarism, copyright, and fair use

UncategorizedLeave a comment

‘Art is Everywhere’

Suzanne Conboy-Hill

This has become an annual event with BBC 6 Music and in particular Maryanne Hobbs who has a knack of de-pomposifying [but never trivialising] the arts and artists. Let’s face it, much like literature, art can seem to get in its own way if the life is squeezed out of it by over-analytical thinking, by people making assumptions about what an artist’s motivations were within a given painting, or placing a construction on a piece of work that the artist can’t refute by virtue of being dead. No such problem with the call for ‘art inspired by the words or … Continue reading ‘Art is Everywhere’

materials and miscellany, MiscellanyLeave a comment

Forensic Architecture

Suzanne Conboy-Hill

This is the group of artists, film makers, architects, software developers, and activists you might never have heard of but that might be hitting headlines shortly. I came across them a short while ago in the context of reconstruction of the much-disputed chemical weapons attack in Syria. From all available images, from all available sources, they reconstruct scenes such as this in order to bring out the most plausible understanding of what actually happened, and just now they are contenders for the Turner Prize 2018. As a side bonus (to me anyway – reflected glory and all that), they’re based … Continue reading Forensic Architecture

UncategorizedLeave a comment

Forensic Architecture

Suzanne Conboy-Hill

This is the group of artists, film makers, architects, software developers, and activists you might never have heard of but that might be hitting headlines shortly. I came across them a short while ago in the context of reconstruction of the much-disputed chemical weapons attack in Syria. From all available images, from all available sources, they reconstruct scenes such as this in order to bring out the most plausible understanding of what actually happened, and just now they are contenders for the Turner Prize 2018. As a side bonus (to me anyway – reflected glory and all that), they’re based … Continue reading Forensic Architecture

UncategorizedLeave a comment

‘I don’t know’

Suzanne Conboy-Hill

Cross posted from my coursework blog. This is why I value that little phrase “I don’t know” so highly. It’s small, but it flies on mighty wings. It expands our lives to include the spaces within us as well as those outer expanses in which our tiny Earth hangs suspended. If Isaac Newton had never said to himself “I don’t know,” the apples in his little orchard might have dropped to the ground like hailstones and at best he would have stooped to pick them up and gobble them with gusto. Had my compatriot Marie Sklodowska-Curie never said to herself “I don’t … Continue reading ‘I don’t know’

Miscellany4 Comments

‘I don’t know’

Suzanne Conboy-Hill

This is why I value that little phrase “I don’t know” so highly. It’s small, but it flies on mighty wings. It expands our lives to include the spaces within us as well as those outer expanses in which our tiny Earth hangs suspended. If Isaac Newton had never said to himself “I don’t know,” the apples in his little orchard might have dropped to the ground like hailstones and at best he would have stooped to pick them up and gobble them with gusto. Had my compatriot Marie Sklodowska-Curie never said to herself “I don’t know”, she probably would have wound … Continue reading ‘I don’t know’

craft fair, Digital Art, products from original artLeave a comment

New fridge magnets

Suzanne Conboy-Hill

I have no shame! I had a batch made earlier using this image. [via Zazzle who do a pretty good job.] But sitting in my folders was similar image that needed brightening up a little so it stood out more from its background. Both are made with Flamepainter (an Escapemotions product), but for lifting the light I used Corel’s Paint Shop Pro which gives me more control over the brush. Here’s the result: It was originally called ‘Fuse’ because only the end of the tail was truly bright and who hasn’t been on the wrong end of a cat with that … Continue reading New fridge magnets

Digital ArtLeave a comment

Flamepainter

Suzanne Conboy-Hill

This is a digital painting programme made by Escapemotions who also make Rebelle. But unlike Rebelle which mimics the behaviour of actual paint on canvas (and if I can figure out how, I’ll make a short video to post here), Flamepainter is pure cat herding. With each iteration, I promise myself I’ll take some time to pin down the functions of the brushes and try to exercise some control over their output, and each time I give up at the point I’ve produced, by sheer serendipity, something that pleases me. This was yesterday’s effort, a composition achieved by selecting a couple … Continue reading Flamepainter

Assignments2 Comments

Assignment 1 submission critique

Suzanne Conboy-Hill

It’s hard to know what influences I brought to bear on this work; partly because whatever they are, they go back a long way and have probably become barely conscious and fleeting, likely unnamed, and definitely inconsistent in style. I hit adolescence/young adulthood in the 1960s, a tumultuous time for politics, social behaviour, art and music. I was gripped by Quant[1] – those clean efficient lines, and Aubrey Beardsley[2] – full of tiny detail, dots and curls, and Dali who made the ordinary fascinatingly unsettling. Then there was Millais’ Ophelia[3] – again the detail but also the light, the colour, … Continue reading Assignment 1 submission critique