Remember this from the previous post? The ballet fail that I exorcised with a large dollop of white primer? Well, I’m taking another run at light, this one based on a photo reference because it’s clear that imagining how bodies … Continue reading Light revisited
The animation was made in MotionLeap for iPad, the video with audio in Filmora10, the audio for the first video was provided by Epidemic Sounds, copyright free and subject only to Creative Commons licence which recognises fair use, and the … Continue reading Side project – copy a Degas
Asked to make a detailed painting of weeds on a mid-tone base, obviously I went for black cartridge, big brushes, and an animation. If there are any resonances, they’re Dutch vanitas (faint), and Kim Baker’s updated version of same (a little louder). Continue reading Weeds – painting animated in Pixaloop/MotionLeap
All artwork and manipulated images (c) suzanne conboy-hill 2020. The art work they came from is on my dedicated UPM module blog here, here, and here. Continue reading 21st century tondos
Video is hosted on my personal YouTube channel. This post may be edited or updated at any point prior to submission. Continue reading Artist statement/objective evaluation – assessment November 2020
In July, NASA’s Mars rover, Perseverance, left Earth. In February 2021, it is due to land in Jezero crater which was formed billions of years ago and where there is evidence that water once flowed from the hills nearby, dropping mud and sand on its way, forming a delta. It’s a hot spot for the likelihood of finding signs of ancient life. This painting and video were made using NASA images of the surface of Mars at Jezero crater, and the subtitled commentary of NASA’s video of the landing site. Continue reading Seas of Mars
This exercise uses found images again, this time on 10 prepared postcard sized backgrounds – 5 black and 5 white. I used Aquarelle HP watercolour paper which is quite solid and relatively robust, although I discovered it is not up … Continue reading Part 1, exercise 1:2 – black and white
It wasn’t until I had posted my efforts to make images that show volume rather than ones that sit flat on the page or canvas that I began to ask myself where and how volume arose as a concept in art. I think this was triggered by reading Hockney’s 2001 book on the ways he believes some of the old masters achieved their remarkably naturalistic effects, but there are other questions too because even with an understanding of perspective and deployment of the various lenses to aid execution, the end experience of volume comes from an interaction between this two … Continue reading Representing volume in drawings and paintings – follow up to formative feedback re Part 3
Apart from the challenge of finding someone other than yourself to draw and a landscape that isn’t the parked car outside your front window, lock down works quite well for a distance student used to the vacuum of no physical … Continue reading Busy, busy, lock down busy
This is based on one of two earlier sketches that I quite like. The other I am reserving for a later exercise. It doesn’t quite meet the criteria in that there are no limbs in view but for now, this … Continue reading Part 3, project 1, exercise 3 – tonal painting
Strayfish Arts 