Category: art course

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Painting – first assignment

Suzanne Conboy-Hill

I’m very much enjoying the Drawing course but it was good to be able to carve some acrylics onto a solid gesso base again. The task is to produce a painting of my choice on any support and in at least A3 size. Initially, I went back to my jug and onion combination – lovely bright colours and this time the jug actually looks to be the right sort of shape and proportion with itself! Happy? Course not – there was a seafront calling, based on a drawing that gave me enormous trouble with its perspectives. I’d liked the monochrome … Continue reading Painting – first assignment

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Outdoor landscape

Suzanne Conboy-Hill

I’ve been working up to my third assignment in the Drawing module of my OCA course and, after going a few rounds with townscapes and statues, may have found a home under a flyover again. First there was this, albeit rather more painting than drawing although those seem now to be interchangeable, a scene I pass by quite often along the river bank. Then these A4 sketches (the first of these three is the monochrome photo – mine – I used to map out the shapes)   And then, much larger A2 sized monochrome and full colour versions. You can … Continue reading Outdoor landscape

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Drawing – some exercises

Suzanne Conboy-Hill

This is about perspective (angular) which, left to its own devices, seems to materialise without too much need for explicit attention. Unfortunately, these exercises require actual focus on actual lines which really throws me. My solution was to use photos to stabilise the scene (anyone else find those intuitive lines behave like a ball of string after a kitten’s been at it once you try to pin them down?), then mark out the lines in charcoal to get the feel of them. I did that with two versions of my photo of Brighton prom (aka vanishing railings), one monochrome, the … Continue reading Drawing – some exercises

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Parallel perspective

Suzanne Conboy-Hill

Supposedly easier than the angular variety but oh no! I seriously needed to get the white crayon out to make those lines explicit so I could eventually come up with this. It’s oil crayon on A1 cartridge that I’d pre-prepped with acrylic gesso, using brush strokes that would create the textures of the objects in the picture. There’s also some ink, pastel, and a lot of blending, and scratching with a stylus. Quite a work out! Some of the prep images are below.   Continue reading Parallel perspective

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Angular perspective

Suzanne Conboy-Hill

I sometimes think angular momentum might be easier and I don’t even know what that means – sling shots round the sun to blast through the Kuiper Belt? Anyway, whatever sort of perspective you need to deliver, it’s going to involve a vanishing point, lines that, at root, are parallel, and an eye that knows how to see things side on. I don’t do any of that naturally. Nor do I make easy sense of lots of lines. These tasks are a flippin’ nightmare! I’ve had to do two: parallel perspective which is the one that goes straight ahead and … Continue reading Angular perspective

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OCA BA hons Painting – some exercise tasks

Suzanne Conboy-Hill

I’m right at the beginning of what could be a five to seven year haul towards the degree and, coming as it does some fifty years since I did the Foundation year, I need to get a shift on or I’ll be grabbing that scroll while they’re nailing the lid down! My blogs (learning logs for the course) are elsewhere but, as it’s going to take up much of my artistic effort and there might not be much else to post, I’ll be popping some bits and pieces here from time to time. Maybe there’ll be visible progress, you never … Continue reading OCA BA hons Painting – some exercise tasks