“Moonrise”
Water soluble oils on 40x30cm canvas. This started life as a relatively tame field scene; then along came the sky, the sea, and the large object in the sky. The camera picks it out, the eye doesn’t – not at … Continue reading “Moonrise”
Water soluble oils on 40x30cm canvas. This started life as a relatively tame field scene; then along came the sky, the sea, and the large object in the sky. The camera picks it out, the eye doesn’t – not at … Continue reading “Moonrise”
Began as a rejected canvas and found new life as another alternative creation myth! The painting is here and this is the story: When the universe made the first world, she was not pleased with its attitude so she destroyed … Continue reading Singer of Worlds
This is an initial exploration of merging static images with moving ones, along with a prose* poetry audio track. These are old paintings, but they’ve given me some ideas. All of the elements are my own. *Every time I mention prose poetry, I look it up but I still have no idea. My working definition is that it involves text that doesn’t claim to be a poem but is structured similarly, uses words in a poetic manner – some of them unusual, flows like a stream that makes its own banks, and that has none of the rigidity of a … Continue reading Films and animations of paintings
My original photo manipulated in PhotoDirector with additional effects plus audio in PowerDirector. The audio is a drum beat made in Magix Music Maker, slowed and distorted in PowerDirector. (c) SCH 2025 Continue reading Wormhole
Cataclysm is an animation of my own painting with video material and animation overlaid using PhotoDirector. The original reference photo (also mine) is of Lancing beach in one of its more apocalyptic moods. (c) SCH 2025 Continue reading Cataclysm
I posted the painting earlier. This is the video layer made for AR but because I suspect it works best on a larger screen than most phones can offer it’s here in its own right. (c) SCH 2025 Continue reading Bigger than us
I’m quite fond of subverting what might be described as genre output by juxtaposing or underpinning a relatively traditional piece with something that jolts it a bit. So when I came across an ad for a painting-by-numbers Van Gogh, my mind had already raced to an idea involving tracing and cutting out the numbered areas then enlarging and exploding them over an A1 card. But reality had other ideas. The schematic is printed onto the canvas which, unlike the ones from my childhood, is real and not a piece of cardboard. But even if it had been a firm surface, … Continue reading Subversion – personal painting, #rift
Embedding is via Artivive; you point the app at the physical painting and wait for it to latch on. Best conditions include good connectivity and good light, although, anticipating the prevailing conditions for one piece (Advent) would include viewing through … Continue reading Videos made for AR
I’ve mentioned the Artivive app before – it’s an app that calls up video hosted on their site and linked to a specific image. For now, it’s mostly used in galleries where lighting and connectivity are generally good. I used it for my contribution to our lane’s Advent Window fundraiser (for the local school) whereby one window a night is ‘unveiled’ and then stays lit for the rest of Christmas, which meant viewing in the dark from the garden in a village where mobile signals aren’t always great. It was a big test and it passed! Artivive has a torch … Continue reading Artivive in the wild!
Based on the original painting with animation via MotionLeap and further processing in Filmora 10. Continue reading Louis of Loch Arkaig – animation