Subversion – personal painting, #rift

I’m quite fond of subverting what might be described as genre output by juxtaposing or underpinning a relatively traditional piece with something that jolts it a bit. So when I came across an ad for a painting-by-numbers Van Gogh, my mind had already raced to an idea involving tracing and cutting out the numbered areas then enlarging and exploding them over an A1 card. But reality had other ideas. The schematic is printed onto the canvas which, unlike the ones from my childhood, is real and not a piece of cardboard. But even if it had been a firm surface, … Continue reading Subversion – personal painting, #rift

Part 3, research point 2 – portraits conveying mood or atmosphere + Fauvism & German Expressionism

This task points up some of the artists who have illustrated mood above likeness. Picasso’s blue paintings for instance; van Gogh’s early paintings of peasants, and the way Rembrandt used tonal contrast in a restricted palette to pull out a person’s mood and personality. After looking at these, the task then asks us to compare them with Fauvist painters and with German Expressionism. This requires some serious internet searching, but the artist who comes immediately to mind is Bisa Butler who, arguably, is as much about mood – in this case pride and the assertion of the right to be … Continue reading Part 3, research point 2 – portraits conveying mood or atmosphere + Fauvism & German Expressionism

Part 3, research point 1 – self portraits

The brief is to research self portraits by various artists over a broad time span and to focus on five or six that appeal. The notes are to include comments on whether or not the artist portrays themselves in the process of painting/as an artist along with thoughts about what the purpose of the portrait might be and the impression the artist may be trying to convey. This is very similar to a research point in the drawing module where I looked at Rembrandt, van Gogh, Frieda Kahlo, and Paula Rego. I decided to revisit that post to see if … Continue reading Part 3, research point 1 – self portraits

Part 4, project 6 – research point #2

Historic and contemporary self portraits. I chose Rembrandt and van Gogh as my historic examples (then read that they were recommended) because of their very different approaches. I particularly liked Rembrandt’s honesty with regard to his image when he was older; the unvarnished truth of it and the lack of glamour. His style is very much about realism, these were the instagrams of the day, the selfies, and many of his clients paying for commissions were likely to require a very positive image of themselves and their surroundings. Van Gogh, an insular man with some enormous troubles, painted fractured images … Continue reading Part 4, project 6 – research point #2