I’ve done a lot of prowling round this portrait; viewing it close up, sideways, from a distance, on screen, good light, poor light, glasses on, glasses off. Why? To get different impressions of the shapes, tones and shadows, movements and statics so I can get a view from outside my painter’s bubble. I’m happier about the face and glasses now but the wrists and the watch need more attention. In monochrome, that dark patch stands out and it shouldn’t – it looks as though it weighs an absolute ton too! Forehead could do with some lightening up after I pulled … Continue reading Follow the painting – day 3 maybe 4
This is a piece of course work. An exercise concerning materials, although I’m not completely sure whether that refers to materials in view or in use. I’ve covered both bases – wood, fabric, glass in the frame; oil crayons, charcoal, inks, and a variety of implements to scrape and scratch at the layers for texture, a bit like sgraffito. The base is cartridge paper prepared with a layer of gesso which I’ve textured to reflect the materials in view, and the colours come from layering the various media, blending, scratching, and generally shoving the media about. So, am I done? … Continue reading Work in progress or am I done here?