Not yet a research point but as I came across it via the drawing module, I’m including some of the material here. Toulouse Lautrec – before the simplified nature of his posters (necessitated, I understand, by the printing process), his drawings were quite loose and almost cartoonish. There was a great deal of movement and energy, often with large numbers of characters and a focal individual. ‘La Danse au Moulin Rouge’ looks to me like a picture of spontaneous uninhibited fun. Egon Schiele – I envy the economy of line, and suggestion of form, but I am less keen on … Continue reading Figure, form, and light: Rego, Vermeer, Lautrec, Schiele, da Vinci