Assignment 1 submission critique

It’s hard to know what influences I brought to bear on this work; partly because whatever they are, they go back a long way and have probably become barely conscious and fleeting, likely unnamed, and definitely inconsistent in style. I hit adolescence/young adulthood in the 1960s, a tumultuous time for politics, social behaviour, art and music. I was gripped by Quant[1] – those clean efficient lines, and Aubrey Beardsley[2] – full of tiny detail, dots and curls, and Dali who made the ordinary fascinatingly unsettling. Then there was Millais’ Ophelia[3] – again the detail but also the light, the colour, … Continue reading Assignment 1 submission critique

Fineliners, charcoal,calligraphy pens, and a Minor Moment

Yesterday, Amazon coughed up a roll of fineliners, a box of charcoal sticks, and three calligraphy pens and I decided to road test them. The fineliners are indeed fine, starting at 0.05 and graduating up to 0.8 but mysteriously excluding 0.7. There are two uncategorised brushes which seem the same size. I’ve not usually paid much attention to how implements work before so focusing on their handling, cornering, and tread (as it were) revealed some interesting observations. the tiniest finiest caused me to hold the pen quite firmly and make delicate, well-contained strokes. No exuberance there, it was like drawing … Continue reading Fineliners, charcoal,calligraphy pens, and a Minor Moment