This is dated around October 27th, according to the photo upload date.There are no earlier versions of this because I went straight in and covered the canvas using a photo I’d taken a few years ago of a sky that … Continue reading Autumn Clouds
6th November, 2025. A lucky misquote of the original, which suggested that building it would attract unspecified kinds of ‘he’, and that isn’t what you want in a back garden. This building involves ponds, which I put in not long … Continue reading “Build it and they will come”
Winter seed heads. Image is a composite memory of increasingly remote snow covered fields. Medium is water-soluble oils on a pre-used 9.5×7″ canvas. An interesting opportunity factor here was that I’d obliterated the original painting with white acrylic gesso and … Continue reading Recycled canvas – Winter Seed Heads
Both of these are from my own photos. The first has been abstracted by layering and scraping, thereby revealing evidence of the earlier painting, which contributes both colour and texture. Clearly very different in style, I made these alongside each … Continue reading Stylised shrubs and misty, foggy river bank
Unfortunately, I can’t remember which ones! In this series, I’m painting over old pieces that no longer have relevance and so they come with their own underpainting. This is another 6×8″ canvas. I’ve done a lot of finger-blending with this … Continue reading Fields at Beeding
For some years I’ve been adding audio tracks to my artwork, largely since I began making video based augmented reality versions. The tracks have all been free to use for non-commercial purposes. But with the prospect of using these AR … Continue reading Copyright: third party music files
I’m not sure why I couldn’t find the early-stage iterations yesterday, but here is one of them. It may be another example of my tendency to skip over the more painterly stages and go straight on to the dramatic. That … Continue reading Adur river bank – view across the fields
This is probably the smallest canvas I’ve ever painted, and I can say for certain that I’ll never paint anything this size again! Water-soluble oil paints on a 4×6″ canvas. The image, which is wholly in my head, probably originates … Continue reading Clouded Moon
The first first was impulse-buying a set of water-soluble oil paints, the second was watching past seasons of Landscape Artist of the Year (2017 and 2018) again, this time, looking at process and techniques. It had occurred to me that … Continue reading Some firsts for me this week
Anyone with half an eye on the political goings on in the US will know what this means. It emerged without intention from some experiments with sound and film construction and said its piece. The main driver for it had been some issues with copyright relating to the use of a music track via Epidemic Sound that I am still hoping I can use with an AR overlay to a painting that will be in a forthcoming book. I had the composer’s permission to use it but needed to check with the hosting platform. Their questions seem to assume that … Continue reading ‘Drums of a Dying Nation’
Strayfish Arts 