Idiot’s Checklist For Exhibiting Your Work When You’ve Never Done It Before – by A.N Idiot

Originally posted on Strayfish Arts:
It’s not quite true that I’ve never done it before but, compared with a table in a village hall and a tent in a garden, actual wall space in an actual gallery room was not only a step up but also came as something of a culture shock. There’s a big difference between unstable carboard easels at child grab height or chasing after art work knocked off its stand by a heaving tent flap, and fresh white walls with barely visible hanging devices you’ve no idea how to make use of. Who knew fishing line… Continue reading Idiot’s Checklist For Exhibiting Your Work When You’ve Never Done It Before – by A.N Idiot

Virtual tour of the RA Summer exhibition

This came to me via a fellow OCA traveller in one of our groups. I can’t say anything about it just now because I’m less than half way through and it’s too exquisite for casual words. This though, this use of technology to open art up to a larger audience, to give us room to see without the crush of crowds, to let us pause the video to look for longer at something that takes our attention; this is the way forward, this is how to engage the audiences who might never visit a gallery in their lives. Watch full … Continue reading Virtual tour of the RA Summer exhibition

Book review – Landscape Painting by Norbert Wolf

I am a beginner when it comes to the history of art and so, looking for a comprehensible and fully illustrated book, I was delighted to find this 2017 edition published by Taschen in its Basic Art Series 2.0. The book is concise and the writing fluent and easy to read. Of its ninety five pages, almost every one has a full colour and often full page illustration of the painting under discussion. And if ever a book needed digitising, this is it because high quality as these plates are, the ability to zoom in on detail would be a … Continue reading Book review – Landscape Painting by Norbert Wolf

Book review: Secret knowledge – rediscovering the lost techniques of the old masters. David Hockney

This review was first posted to Goodreads on May 11th, 2020. I can rate this before getting anywhere near the last page because it’s a parallel of two BBC documentaries made in 2001 that details Hockney’s theory that many of the old masters used contemporaneously new technology as drawing and painting aids. The camera lucida for instance that allows for an image to be visible within a lens positioned over paper and that the artist can see to ‘trace’, and later the camera obscura that uses a larger lens to project an image onto a canvas or wood support in … Continue reading Book review: Secret knowledge – rediscovering the lost techniques of the old masters. David Hockney

Bisa Butler – portrait artist in quilts

Somebody remind me of this for when portraiture comes around in this module. I’m a child of the flower-power generation, a hippy, a 1960s Brighton art student who somehow ended up in science. Butler’s colours sing from that palette but they’re singing a very modern tune, setting right some cultural wrongs by depicting black men and women with a dignity they were never quite accorded at that time and which our white world still struggles with. Butler trained as a painter and describes herself as a portrait artist, but uses the medium of fabric and thread to make her art. … Continue reading Bisa Butler – portrait artist in quilts

Brighton galleries

Where can you see Banksy, Damien Hirst, Grayson Perry, Sir Peter Blake, Bob Dylan, Ronnie Wood, and Billy Connolly originals within a few yards of each other in right-on-the-street galleries? Brighton. There’s a detailed account of these galleries on my Drawing blog. Castle Fine Art – Lanes. Dylan, Wood, Connolly Kellie Miller – no photos. Art Republic – Banksy, Hurst, Perry, Blake Continue reading Brighton galleries